SciELO - Scientific Electronic Library Online

 
vol.79 issue3Ritual, myth and transnational giving within the Zimbabwe Assemblies of God Africa in Johannesburg, South AfricaA missional reflection on the challenges of getting married faced by the poor: A case study from Soshanguve author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Article

Indicators

Related links

  • On index processCited by Google
  • On index processSimilars in Google

Share


HTS Theological Studies

On-line version ISSN 2072-8050
Print version ISSN 0259-9422

Abstract

LALTHA, Samiksha. 'Creatures in our bed': Pandemics, posthumanism and predatory nature in World War Z (2013). Herv. teol. stud. [online]. 2023, vol.79, n.3, pp.1-6. ISSN 2072-8050.  http://dx.doi.org/10.4102/hts.v79i3.7935.

This article provided a literary analysis of the film text World War Z (2013, dir. Marc Forster) with a specific focus on the pandemic depicted in the film and its relationship to the coronavirus disease 2019 (COVID-19) pandemic. This discussion foregrounded the figure of the 'zombie' and the cultural anxieties that this literary figure represents. The pandemic in the film is brought about through an environmental crisis that mimics our own. Mother Earth and nature, personified as female, feature significantly in the film and evoke a discussion on survival, human nature versus animal nature and the figure of the posthuman. This article also employed a cultural studies approach to analyse how the pandemic depicted in the film evokes a Christian religious dimension through a particular scene that takes place in the Holy Land, Jerusalem. The film's depiction of pandemics, religion and the environmental crisis makes it worthy of discussion, especially in light of the current pandemic that the world is facing, with particular focus on humanity's response to it. The dystopian warnings that the film projects have echoes of the current social and ecological challenges that we are grappling with. The conclusion of the film deviates from the 'happy endings' indicative of Hollywood; rather, it engages with a situation where a temporary, substandard solution is found to an ongoing world-wide catastrophe. The ending of the film draws intriguing parallels to our own experiences with the COVID-19 pandemic and the absence of a cure. CONTRIBUTION: This article provided a literary analysis of a film text. The discussion drew on cultural studies, popular culture and religion through the lens of Christianity, with a particular focus on the social and cultural anxieties that the figure of the 'zombie' holds as well as cultural interpretations of Mother Earth and nature as female

Keywords : Environmental crisis; nature; pandemic; posthumanism; zombie.

        · text in English     · English ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License