SciELO - Scientific Electronic Library Online

 
vol.46 issue1"To Serve and not to be Served": The Mission of the Catholic Church through Education in Zambian Church History: A Narrative of James Spaita in the Public Sphere, 1960-2014From Cabazi to Bruma: Purity Malinga's Rise to Presiding Bishop of the MCSA author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Article

Indicators

Related links

  • On index processCited by Google
  • On index processSimilars in Google

Share


Studia Historiae Ecclesiasticae

On-line version ISSN 2412-4265
Print version ISSN 1017-0499

Abstract

HAVENGA, Marthinus Johannes. Woza Albert! Performing Christ in Apartheid South Africa. Studia Hist. Ecc. [online]. 2020, vol.46, n.1, pp.1-14. ISSN 2412-4265.  http://dx.doi.org/10.25159/2412-4265/6894.

This article investigates the important South African anti-apartheid protest play, Woza Albert!, written and performed in 1981 by Percy Mtwa and Mbogeni Ngema, which retells the story of Jesus Christ so that it takes place in apartheid South Africa. The article begins with a historical overview of how the play came into being, followed by an exposition of the play's script, specifically focusing on the way it reimagines the gospels' account of Christ's life, death and resurrection. The article finally engages theologically with the play (with the help of Hans Urs von Balthasar's theological dramatic theory), in an attempt to see why Woza Albert! has proved to be such an effective literary tool in speaking out and protesting against the injustices of the apartheid state.

Keywords : protest theatre; apartheid; Woza Albert!; Market Theatre; Hans Urs von Balthasar.

        · text in English     · English ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License