 Original research |
| | |
| | · Extreme apartheid: the South African system of migrant labour and its hostels
Vosloo, Christo
|
| | |
| | · Embedded participation in the architectural curriculum towards engendering urban citizenship in graduates
Combrinck, Carin; Venter, Rienie
|
| | |
| | · Remembering the Pass - Exploring curatorial reenactment in PASS-AGES: References & Footnotes
Crawshay-Hall, Jayne
|
| | |
| | · The Big Druid's photographs of trees: Art and knowledge
de Villiers-Human, Suzanne
|
| | |
| Book Review |
| | |
| | · Educating citizen designers in South Africa
Bennett, Audrey G.
|
| | |
| Original research |
| | |
| | · Ellen Ripley, Sarah Connor, and Kathryn Janeway: The subversive politics of action heroines in 1980s and 1990s film and television
Engelbrecht, Janine
|
| | |
| | · Anthropocene terror in two girl-centred narratives: The leitmotifs of mythological time, colonisation and monstrosity in the films Whale Rider and Moana
du Plooy, Belinda
|
| | |
| | · The march continues: A critique of The Long March to Freedom statue collection exhibited in Century City
Kirsten, Marnell
|
| | |
| | · Hearing the pain of others: Engineering affect and empathy through the soundscapes of This Song is For... (2019) and Love Story (2017)
Lauwrens, Jenni
|
| | |
| | · Special Section Editorial
Schmahmann, Brenda
|
| | |
| | · Self-representation in the works of Busisiwe Nzama: An analysis of the Frida 'little travellers' and more
Mchunu, Khaya
|
| | |
| | · A contemporary Madonna from the Eastern Cape: Female agency in the Keiskamma Art Project's Rose Altarpiece
Schmahmann, Brenda
|
| | |
| | · The blood-sucker bird: A woven narrative of exploitation and dependency
Hobbs, Philippa
|
| | |
| | · Other stories: Asger Jorn's and Pierre Wemaëre's Le Long Voyage, 1959-1960
Baumeister, Ruth
|
| | |
| | · The material of mourning: Paul Emmanuel's Lost Men as counter-memorials
von Veh, Karen
|
| | |
| | · Stitching and unpicking ambivalence toward womanhood and maternity in works by Ilené Bothma
Bronner, Irene
|
| | |
| | · Quilts: Unfolding personal and public histories in South Africa and the United States
MacDowell, Marsha
|
| | |
| | · Sedition à la mode? The transfiguration of Steve Biko in post-apartheid fashion and décor design
Conradie, Annemi
|
| | |
| Book Review |
| | |
| | · Hidden Pretoria
Kriel, Lize
|
| | |
| | · Special Section Editorial
Bowie, Anneli
|
| | |
| Original research |
| | |
| | · Look and see: Optical technology and disciplinary mechanisms in Topps Trading Cards, 1948-1952
Kevill-Davies, Harriette
|
| | |
| | · Visual communicative practices: Towards a more inclusive visual rhetoric?
Brown-Edwards, Storm Jade
|
| | |
| | · The rhetoric of neutrality. Again. Revisiting Kinross in an era of typographic homogenisation globalisation
Rath, Kyle
|
| | |
| | · Collaborative audio-visual rhetoric: A self-reflexive review of collaboration in anthropological film projects
Omrani, Arjang; Rutten, Kris
|
| | |
| | · 'This is not a pig': Settler innocence and visuality of zoos
Gilich, Yulia
|
| | |
All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
pdf