 Articles |
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| | · "Speak to a community audience": The Staffrider illustrations of Mzwakhe (Muziwakhe Nhlabatsi) 1979-1987
Pretorius, Deirdre
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| | · Montage in play
Higgins, John
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| | · Health, hospital(ity) and hegemony: Artistic agencies of two women weavers at Ceza, 1962
Hobbs, Philippa
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| | · Conceptions of iconicity and their historical reorientations: Pippa Skotnes's horse skeletons and the topos of the Annunciation
de Villiers-Human, Suzanne
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| | · Play-able: using play to realise the intent of social design
Cassim, Fatima
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| | · Between damage and possibility: Informal Recycling Conceived as Life Raft
Mclnnes, Jacki
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| | · The curation of To Be(Hold) in Revere: An Exhibition of Historical Photographs of People with Intellectual Disability
du Plessis, Rory
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| Creative Writing |
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| | · How Poetic Language Enacts Agency
Law-Viljoen, Bronwyn; Yaa de Villiers, Phillippa; Zerbst, Fiona
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| Exhibition Review |
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| | · Book launch exhibition: Light for Art's Sake
Crafford, Carla
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| Special section editorial |
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| | · Special section editorial Hitting home: representations of the domestic milieu in feminist art
Schmahmann, Brenda
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| Articles |
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| | · Exercising agency through embodied research and the making of screendances
Johnstone, Kristina; Prinsloo, Tarryn-Tanille; Munro, Marth
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| | · Material worlds: Domestic objects and the question of auto/biography in contemporary art
Zarza, Clara
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| | · Home is where the art is? Reflections on changing notions of home and contemporary art practices in the wake of the pandemic
Millner, Jacqueline
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| | · Being (not) at home: Exiled women artists in postwar New York
Marano, Virginia
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| Special section editorial |
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| | · Special section editorial
Thom, Johan; Kriel, Lize
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| Exhibition Review |
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| | · Exhibition Review
Lebakeng, Teboho
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| Articles |
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| | · Re-claiming the lost home: The politics of nostalgia and belonging in women's art practices in the Middle East
Photiou, Maria
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| | · Joanna Rajkowskas Rhizopolis (2021): A rhizomatic refugium for caring commons
Sliwinska, Basia
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| | · Inside The Red Mansion: Füsun Onur's world of objects, care relations, and art
Abiyeva, Nergis; Özpinar, Ceren
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| | · At home in Harlem: The politics of domesticity in Faith Ringgold's The Bitter Nest
Hanson, Debra
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| | · The art of labour: Representations of childbirth by Reshada Crouse and Christine Dixie
Schmahmann, Brenda
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| | · "Sweep the yard girl": Brooms, wifely duties and the subversive art of Usha Seejarim
Netshia, Shonisani
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| | · Breaking the 'Law of the Father': Linda Rademan's transgressive engagements with Afrikaner patriarchy in the home
von Veh, Karen
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| | · Labour, love, or violence? Farieda Naziers Don't Make Me Over (2021)
Do Rego, Roxanne
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| | · Cleansing shame: Airing South Africa's 'Dirty Laundry'
Orton, Dineke
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| In Conversation |
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| | · Flowers, sex, labour and loss: Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe at the Art, Access and Agency - Art Sites of Enabling Conference
Thom, Johan; Boshoff, Willem; Oguibe, Olu
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| Articles |
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| | · A Combustible Object: The Suppression and Recovery of Ernest Cole's photobook House of Bondage
O'Toole, Sean
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| Special section editorial |
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| | · Special section editorial
Byrne, Deirdre C.; Alexander, Josephine Olofunmilayo
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| Articles |
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| | · Exploring Nnedi Okorafor's decolonial turn in the Binti Trilogy
Alexander, Josephine Olufunmilayo
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| | · Future Frontiers: Ontological Osmosis and Africanfuturist Cyborgs in Nnedi Okorafor's Lagoon
Banks, Brett; Kayat, Jethro; Rossmann, Jean
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| | · Deliberately derivative: levels of decolonisation in Nnedi Okorafor's Akata Witch
Boshoff, Dorothea
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| | · The Black Female Messiah in Nnedi Okorafor's The Book of Phoenix
Borain, Bernice
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| | · Spectre and Speculation: Haunting and Uncanniness in Soweto, Under the Apricot Tree by Niq Mhlongo
de Klerk, Eugene
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| | · Whose city? (De)colonising the bodies of speculative fiction in Lauren Beukes's Zoo City
Weston, Natasha Lyle
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| | · South African experiences in a restructured post-apocalyptic geo-political future as depicted in speculative fiction
Manase, Irikidzayi
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| | · Give the Black Girl the Remote: De-colonising and Depatriarchalising Knowledge and Art in Black Panther and Colour Me Melanin
Byrne, Deirdre C.
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| | · Being (in)formed by indigenous voices: First steps to using graphic narratives to decolonise speculative fiction
Viljoen, Jeanne-Marie
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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